Of the many innovations A R
Rahman has brought about,
few are as interesting as the
one about adding dance element
to the live show.
He offers to do more of it in his 'Jai
Ho: the Journey Home' tour that
kicks off in New York on June 11 at
the Nassau Coliseum. The tour will
take him and the troupe to over a
dozen cities in America and Canada,
before leaving for Europe.
The high-tech show will have magical
lighting and artistes exuding a
variety of genres, including Bharata
Natyam and tap dancing, the organisers
say.
Any Rahman show creates a lot of
excitement says the show's producer
Deepak Dattani, but after winning the
Golden Globe, Oscars and the
Grammy, the expectations are soaring.
Undoubtedly the hottest show in
North America this summer, the 'Jai
Ho' concerts will also feature one of
the most versatile singers in India,
Hariharan; recent sensation Javed Ali
and a host of relatively new singers.
Rahman started using dancers early
on in the half-a-dozen concerts he has
presented in North America and elsewhere.
"But everything is at the service
of music," he says. "We have used
awesome technology and spectacular
scenes but at the end of the event,
everything will be done to enhance
the music."
He spoke to India in New York at
the Bombay Palace restaurant soon
after his April 19 press conference in
the city. "We are not doing something
for the sake of creating glamour," he
says.
He remembers going to light concerts
in Chennai in his school and college
days. "The singers would often
stand with a book in their hand and
sing," he says. It was like a lamp post
performance.
"There was nothing wrong with it,
but as I was creating my own music -
and it was a very young music - I felt
the artists should move their bodies.
The audiences should not feel that
they are being punished for nearly
three hours. I am generally a shy person,
but when it came to live shows, I
had to teach myself to sway to the
music. Audiences were enjoying the
new concept and I decided to go farther,
adding the visual excitement."
Of the 20 cities the musical tour will
visit, a majority are in America and
Canada, including Atlantic City and
Vancouver. The company will also
perform at three venues in the United
Kingdom, and in Paris, Amsterdam and Zurich.
"This tour is going to be one of its kind,' the promoters
say in the press note, 'For the first time has an Indian artist
embarked on a true road world tour. The entire crew of 75
people that includes technicians, dancers and artists, and
A R Rahman will be traveling at different venues with
hardly a gap between the shows.' The final performance
will be in London July 25.
Dattani, who joined the press conference via video in
Mumbai, said the talks on the show started soon after
Rahman's double Oscar victory. Despite the technical wizardry
that employs the best Hollywood can offer, he said,
it is essentially an Indian show, often a nostalgic trip to
overseas Indians. "The soul of India can be experienced,"
he said.
This is the first time Dattani and Rahman are working on
a global production, which has already played in Australia.
Dattani's Rapport Global Events has produced Indian
musical shows in many countries in the Gulf region. In
nearly two decades, Rapport has organized over 500
events, including tours by Asha Bhosle, Akshay Kumar,
Shah Rukh Khan and Rani Mukerji.
Amy Tinkham, creative director of the new Rahman
show, has also helped mount live concerts for top
American artists like Mariah Carey and Britney Spears.
'Through the vast tapestry of music that is A R Rahman,'
she said in a statement, 'he takes
us on a virtual journey through
beauty, culture, and spirituality.
This is uniquely Indian, both
ancient and Indian.'
She said at the press conference
that she had to be careful to
choose the best dancers and acrobats.
The Rahman show deserves
nothing less than the best, she
asserted.
For nearly three years, fans
have been watching Rahman on
their television sets. 'It was time
to give Rahman to them in flesh,'
she added. While it is going to be
an East meets West show, she
continued, 'Like his music, it
breaks all borders.'
Rahman said having Tinkham
direct the show was a "huge
relief." Else, he would have been
burdened in choosing the artists
and wondering if people will turn
up on time for the rehearsal. "It
used to show on my face," he said,
referring to the tension at the previous
concerts.
Rahman revealed he would ideally
like to have a live show every
second year. "That would mean
that I have three or four new
movies released in the duration
and I can add new songs to my
shows," he continued. "But the
past three years have been unbelievably
busy and crazy; I just
could not produce a series of live
shows as I am doing now."
A few weeks before the Rahman
show, singer Sukhwindar Singh
will also tour over half-a-dozen
cities with his own 'Jai Ho' show.
The previous Rahman shows
used to be filled with big singers
like Sonu Nigam and K S Chitra, a
popular singer in South India.
But this show has new singers like
Benny Dayal.
"Some of the singers who have
been featured in my previous
shows have grown bigger and
cannot be with me for over a
month," Rahman said. "As for the
very big singers, I felt I have not
been doing proper justice. What
is the point in having them in the
show when they get to sing two or
three songs?"
As for the visual components of
his show, Rahman said was a bit
surprised that other Indian composers
and singers had not given
it due importance. Many Indian
artists come to America or the UK
thinking that after all we are from
India and it is enough to have
made this much progress. The sky is the limit if you want
to go for innovations, Rahman said.
One reason that there were not many big time artists in
the current show, an insider speculated, was to save money
for the special effects and dance numbers.
"I have always sought to be adventurous but this time,
after the Sydney show (of 'Jai Ho'), I felt we could be more
adventurous," Rahman said. "Audiences expect from me
not only a variety of music... but also something that satisfies
their senses at different levels. To give them something
less than what we are offering would be cheating, I feel."
"Never mind if we fail in trying to be bold and colorful,"
he added, "We will remember that it was worth trying."